Spillage Chicago, Illinois
Taking the best qualities of early Judas Priest & Uriah Heep, and mixing it with Uli Jon Roth era Scorpions, and a good dose
of Chicago doom, Spillage manages to create brilliant, original music that stands well on its own in today's heavy scene.
Elvin Rodriguez - Vocals
Tony Spillman - Lead Guitar
Nick Bozidarevic - Lead Guitar
Billy McGuffey - Bass
Chris Martins - Drums
Paul Rau - Keys
... more
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supported by 20 fans who also own “Disappear”
OMG, late to the party but this is some of the best occult infused doom stoner tackle I've ever heard. Reference points include Sabbath (obvs), especially with the Ozzy-esque vocals but there's also the melodiousness of early Heep mixing with a more contemporary occult rock sound. It starts in the 70's and makes it to the present day. The riffs are huge but it's their way with a hook that elevates this from your average doom/stoner fare. Very wonderful indeed!
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supported by 20 fans who also own “Disappear”
Allow me to copy Pagan Altar's third album title to describe not only III:Pentecost but the whole discography of Wytch Hazel so far: well, yes, it's Magical and Mythical!!! A must-have for the lovers of 70's hard sound revival.
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supported by 19 fans who also own “Disappear”
Love this album. Great classic hard rock throwback to the golden era of late 70s/early 80s heavy metal.
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Devil Electric
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On their self-titled LP, Melbourne’s Devil Electric drag doom metal to the swamp.
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It Came From The Stars
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Thick and heavy power doom from Italian outfit Crimson Dawn balances the spacey with the stoney.
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The new rare black metal album from Sweden will please genre purists and relative outsiders alike.
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